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Now accepting entries!

Win Cash and Prizes and gain valuable industry access to top Producers who make Urban Films!

Whether you’re writing a historical piece, a controversial drama, a sensational thriller, the next big action film, a hip indie, or a laugh out loud urban comedy, we want to support you. We want to support black writers and filmmakers who are making films about our community.

(A percentage of all submission fees will be donated to black charities).

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1st Place

GRAND PRIZE

$250

Cash & Prizes

$250 in cash and prizes, recognition as the winner of the Black Screenplays Matter Screenwriting Competition, and your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. Winners will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

2nd Place

GRAND PRIZE

Recognition

Props & Prizes

You will be honored as a finalist and your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. Winners will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

3rd Place

GRAND PRIZE

Access & Exposure

Your logline and script will be distributed to our database of agents and producers on both coasts who are looking for clients and material to produce. One Winner will also receive an InkTip Script Listing of your script on InkTip so that even more producers and reps can find you.

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Industry Exposure

Our Finalists scripts will be delivered to over 40 of New York and Hollywood’s top agents, managers, television executives, and feature film producers.

 

Winners will receive an InkTip Script Listing and have their logline featured in InkTip Magazine so they can promote themselves and their scripts to InkTip’s entire network of producers, managers, and agents. InkTip Magazine is sent to over 15,000 producers and representatives.

Companies who are InkTip members include: ABC, Anonymous Content, APA, CBS Films, HBO Films, ICM, Paradigm, Paramount Pictures, Hallmark Channel, FX, Universal, WME, Echo Lake, Zero Gravity, Bad Robot, 20th Century Fox, and many more.

Talent Agents Some of the industry’s most established agents will be judging our quarterfinalists.
Lit Managers Talent Managers from companies that represent only the biggest stars in film and television.
Feature Film Producers Feature Producers form the third leg of our selection committee.

Entrants are strictly prohibited from contacting the judges during the competition this is why we do not publish their names. Any entrant who attempts to contact a judge will be disqualified and their entry fee forfeited. Associates, employees, clients, and family members of judges are not eligible to enter. If our judges are interested in working with you, they will contact you.

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  • 7-cwa

    7-cwa
  • 13-urban-artists

    13-urban-artists
  • The International Family & Faith Film Festival

    The International Family & Faith Film Festival
  • 5-ink-rage

    5-ink-rage

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Rules

  • Submissions are accepted via electronic submission only through our partner websites FilmFreeway, Withoutabox, and NetworkISA.
  • There is no limit to the length of the projects you submit. Projects can be in script or treatment form.
  • There is no limit to the number of projects you may submit.
  • Scripts must be written in English, but can be in any film or television genre.
  • Entrants are prohibited from contacting the judges during the competition. Any entrant who attempts to contact a judge will be disqualified and their entry fee forfeited. The decision of the judges is final.
  • Entry fees for screenplay entries are posted on our partner websites and are non refundable.
  • Employees and family members of the film festival are not eligible.
  • Entrants must be 18 years or older to enter the contest. Misrepresentation of age, upon discovery, will forfeit entry and fees to the contest.
  • Entries must be received on or before the deadlines and submission fee payment must be made in full at time of the submission. All entry fees are non-refundable
  • All submitted material must be original, and all rights must be wholly owned by the writer(s).
  • All entries must be the original, and unpublished, un-produced, un-optioned work of the entrant. The entrant ensures that he or she is the sole author of the work and that it does not infringe on any existing copyright.
  • All winners are responsible for their own U.S. income tax withholding.
  • The competition, its judges, and its officers accept no liability whatsoever for any claims of damages, real or perceived, by any entrant(s) as a result of their participation in this contest.

Rules & Eligibility

  • All writers at least 18 years of age are eligible.
  • All persons from anywhere in the world are eligible; however the material submitted must be in English.
  • All material submitted to other competitions or contests are eligible.
  • Professional writers, journalists, poets, and previous contest winners are eligible.
  • There are no requirements as to when the material was written.
  • Material must be your original work.
  • The material submitted must not be encumbered by any obligation to, or option held by, a third party prior to entering the competition.
  • By submitting your material you agree to be added to our email list, but can remove yourself at anytime by unsubscribing.
  • We do not provide feedback, notes, grades, or rankings of any kind. We assume you already know how to write at a professional level and that is why you are entering this contest.
  • Please note that the Black Screenplays Matter Screenwriting Competition is in no way affiliated with any other film festival, screenwriting competition, film school, or film related enterprise or organization. Furthermore, we are not legally affiliated with any other charity, political party, political organization, or entity of any kind. We simply want to support the world wide black film community.